338 flatfile artwork Results

Medium:
Nathalie Albaladejo, Filet dans les Arbres 1
Nathalie Albaledejo, Filet dans les Arbres 1, ink and walnut stain on photo paper, 8 " X 11.5",
Nathalie Albaladejo, Filet dans les Arbres 2
Nathalie Albaledejo, Filet dans les Arbres 2, ink and walnut stain on photo paper, 21 in X 29.7 in,
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Roberta Allen, Pretending That These are Negative Thoughts, ink on paper, 9 in X 6 in, 2014.
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Roberta Allen, Pretending These Lines are Thoughts Acted upon by the World, ink on paper, 9 in X 6 in, 2014.
Roberta Allen, Pretending That Only the Red Lines are Thoughts, ink on paper, 9 in X 6 in, 2014.
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Roberta Allen, Lines as Thoughts in Conflicts II, ink on paper, 9 in X 6 in, 2014.
Roberta Allen, Pretending that an Unknown Number of Lines are Thoughts, ink on paper, 7.5 in X 6 in, 2014.
Roberta Allen, Pretending these Lines are Unthinkable Thoughts, Disguised as Conflicting Thoughts, ink on paper, 9 in X 6 in, 2014.
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Roberta Allen, Lines as Thoughts Disguising Emptiness, ink on paper, 8.5 in X 6 in, 2014.
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Roberta Allen, Pretending these Lines are Thoughts Responding to Something Unseen, ink on paper, 9 in X 6 in, 2014.
Falling Down
Tamera Ann Bedford, Falling Down, archival ink on paper, 20.5 in X 24.6 in, 2018.
Tamera Ann Bedford, Atmospheric Fade, archival ink on paper, 19.7 in X 24 in, 2018.
Mildred Beltré, What is to be Built #2, Ink, Graphite, 10 in X 10 in, 2012.
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Mildred Beltré, What is to be Built #3, ink, graphite, marker, 10 in X 10 in, 2011.
Mildred Beltré, Presence, Walnut ink and digital print, 22 in X 30 in, 2017.
Ernst Benkert, Untitled, Ink on paper, 30 in X 22 in, 1991.
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Ernst Benkert, Two Angles, Ink, 30 in X 22.5 in, 1982.
Baltic References
Ernst Benkert, Baltic References, Ink, 30 in X 22.3 in, 1983.
Ernst Benkert, Bars
Ernst Benkert, Bars II, Ink, 30 in X 22.3 in, 1982.
Ernst Benkert, Burned Out Church
Ernst Benkert, Burned Out Churches, Ink on paper, 17 in X 11 in, 2004.
Cross Field
Ernst Benkert, Cross Field, Ink, 9 in X 12 in, 1984.
Maurer-Effekt
Ernst Benkert, Maurer-Effekt, ink on paper , 29 in X 23 in, 1986.
Melancholy Otto
Ernst Benkert, Melancholy Otto , ink on paper, 29 in X 23 in, 1986.
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Ernst Benkert, Mondrian’s Chinese Love Affair, ink on paper , 30.5 in X 22.5 in, 1984.
Mondrian's Chinese Love Affair 2
Ernst Benkert, Mondrian’s Chinese Love Affair 2, ink on paper , 30.5 in;30.5 in X 22.5 in;22.5 in, 1984.
Ernst Beckert, Nervenbündel
Ernst Benkert, Nervenbündel , ink on paper, 12 in X 9 in, 1985.
Hairy Mess
Ernst Benkert, Hairy Mess, ink on paper , 12 in X 9 in, 1985.
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Ernst Benkert, New Series B #7, ink on paper , 26 in X 20 in, 1995.
Size Change
Ernst Benkert, Size Change, Ink, 30 in X 22 in, 1972.
Ernst Benkert, Square Mesh
Ernst Benkert, Square Mesh, Ink, 30 in X 22 in, 1985.
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Ernst Benkert, Tomb, Ink, 30 in X 22 in, 1990.
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Ernst Benkert, Tomb, Ink, 30 in X 22 in, 1991.
Wolgast
Ernst Benkert, Wolgast (Bombsites Series), Ink, 29 in X 23 in, 1986.
Ernst Benkert, Zig Zag #2, ink on paper, 30" x 22", 1991
Ernst Benkert, Zig Zag 2, Ink, 30 in X 22 in, 1991.
Ernst Benkert, Zig Zag Bars
Ernst Benkert, Zig Zag Bars, Ink, 30 in X 22 in, 1983.
Ernst Benkert, Zig Zag Monalog, Ink, 30 in X 22 in, 1983.
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