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1624 flatfile artwork Results
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Category:
Untitled 3
Katherine Beck, Untitled 3, 2009, Graphite, 14 in X 14 in.

Untitled 4
Katherine Beck, Untitled 4, 2009, Graphite, 7 in X 20 in.

Untitled 5
Katherine Beck, Untitled 5, 2009, Charcoal, 6 in X 14.75 in.

Untitled 6
Katherine Beck, Untitled 6, 2004, Mixed media, X .

Untitled 7
Katherine Beck, Untitled 7, 2006, Mixed media, 30 in X 22 in.

Untitled 8
Katherine Beck, Untitled 8, 2006, Oil on gessoed paper, 22 in X 30 in.

Katherine Beck, Untitled, 2008, Graphite, 22.375 in X 30 in.

Vug
Jarrod Beck, Vug, 2015, Pigmented abaca, 30 in X 22 in.

Xeno
Jarrod Beck, Xeno, 2015, Pigmented abaca, 30 in X 22 in.

Phenocryst
Jarrod Beck, Phenocryst, 2015, Pigmented abaca, 30 in X 22 in.

Rawhaze
Jarrod Beck, Rawhaze, 2015, Pigmented abaca pulp, 40 in X 30 in.

Jarrod Beck, Interlocutor , 2010, Colored pencil, charcoal on paper, 17 in X 11 in.

Jarrod Beck, Shadowplay, 2010, Colored pencil, charcoal on paper, 17 in X 11 in.

Tamera Bedford, Falling Down, 2018, archival ink on paper, 20.5 in X 24.6 in.

Atmospheric Fade
Tamera Bedford, Atmospheric Fade, 2018, archival ink on paper, 19.7 in X 24 in.

What is to be Built #1
Mildred Beltré, What is to be Built #1, 2011, ink, pigment on paper, 12 in X 12 in.

What is to be Built #2
Mildred Beltré, What is to be Built #2, 2012, Ink, Graphite, 10 in X 10 in.

What is to be Built #3
Mildred Beltré, What is to be Built #3, 2011, ink, graphite, marker, 10 in X 10 in.

What is to be Built #4
Mildred Beltré, What is to be Built #4, 2012, graphite, marker, 10 in X 10 in.

What is to be Built #8
Mildred Beltré, What is to be Built #8 , 2012, Marker, 8 in X 8 in.

What is to be Built #9
Mildred Beltré, What is to be Built #9, 2012, Marker, 10 in X 10 in.

What is to be Built #10
Mildred Beltré, What is to be Built #10, 2012, Graphite/Pencil, 8 in X 8 in.

Presence
Mildred Beltré, Presence, 2017, Walnut ink and digital print, 22 in X 30 in.

I Feel (Kind)
Mildred Beltré, I Feel (Kind), 2017, Colored pencil and walnut ink, 38 in X 50 in.

See the Unseen
Mildred Beltré, See the Unseen, 2016, Colored pencil and walnut ink, 22 in X 30 in.

I AM 2
Mildred Beltré, I AM 2, 2019, Colored pencil and walnut ink, 22 in X 30 in.

IART
Mildred Beltré, IART, 2019, Colored pencil and walnut ink, 22 in X 30 in.

Two Angles
Ernst Benkert, Two Angles, 1982, Ink, 30 in X 22.5 in.

Baltic References
Ernst Benkert, Baltic References, 1983, Ink, 30 in X 22.3 in.

Bars II
Ernst Benkert, Bars II, 1982, Ink, 30 in X 22.3 in.

Burned Out Churches
Ernst Benkert, Burned Out Churches, 2004, Ink on paper, 17 in X 11 in.

Ernst Benkert, Cross Field, 1984, Ink, 9 in X 12 in.

Ernst Benkert, Maurer-Effekt, 1986, ink on paper , 29 in X 23 in.

Ernst Benkert, Melancholy Otto , 1986, ink on paper, 29 in X 23 in.

Mondrian’s  Chinese Love Affair
Ernst Benkert, Mondrian’s Chinese Love Affair, 1984, ink on paper , 30.5 in X 22.5 in.

Mondrian’s Chinese Love Affair 2
Ernst Benkert, Mondrian’s Chinese Love Affair 2, 1984, ink on paper , 30.5 in;30.5 in X 22.5 in;22.5 in.

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30/30 SMALL WORKS ON PAPER (26)
100 Works on Paper Benefit Exhibition 2014 (1)
911 SHOW: Artists Respond (2)
Aung Myint, Drawings from Myanmar (2)
BIG: Large Scale Drawings and Prints (2)
Chance and Necessity: Selections from the Kentler Flatfiles (8)
Chris Gonyea, From Ashes (5)
and 77 more

event

Book Launch: Wendy Walker, The Camperdown Elm (3)
Concert: The Graphics, Music, and Writings of Herbert Brün (1)

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